Klee collected his observations in his Pedagogical Sketchbook intended as the basis for the course in design theory at the famous Bauhaus art school in Germany. From the simple phenomenon of interweaving lines, his work leads to the comprehension of defined planes-of structure, dimension, equilibrium, and motion. But he employs no abstract formulas. The student remains in the familiar world-a world that acquires new significance through the straight forward approach of Klee’s simple, lucid drawings and his precise captions. Chessboard, bone, muscle, heart, a water wheel, a plant, railroad ties, a tightrope walker-these serve as examples for the forty-three design lessons.
“Mycelium is the network of all the threads of a fungus, also called the root of the mushroom. The insulating and moisture-absorbing properties of mycelium are very good. A lot of textiles are lacking these. Mycelium is only used in solid state, hence the combination with textiles, with the best of both materials being used, a kind of Mycelium textile or mycoTEX.“
Source: Mycelium textile |
Jack Whitten, Beloved Painter of Abstract Cosmologies, Dies at 78 -ARTnews
“Ethereal and oftentimes mystical, Whitten’s paintings came out of inquiries into philosophical, scientific, and mathematical concepts. The chipped-paint technique in the “E Stamps” works, for example, often makes his work shine, and it sprang from reading up on the physical properties of light. “We know now that light occurs in extremely small particles,” he once told ARTnews. “That’s what allows us to see—those little fucking photons bouncing around your retina, and blam-o, I can see!””
Vito Acconci, as one might expect, did not rely on any such traditional system for organizing his library. He instead arranged his books based on an idiosyncratic, all-encompassing classification system very much of his own devising. Acconci’s system begins with general ontological categories – such as ‘Time’, ‘Space’, ‘Matter’, ‘Body’, ‘Life,’ ‘Mind’ and ‘Signs’ (there are 12 such categories in all) – which then proceed to sub-divide into more particular divisions and sections. By giving primacy to the ontological over the bibliographic, Acconci’s system does away with many library classification conventions. For instance, fiction and poetry are not treated as related genres of writing and thus placed within range of each other. Instead, novels are placed in a subset of ‘Time’ (‘fiction is about turning pages, it’s about time,’ according to Acconci) while poetry is classified as a subset of ‘Body,’ along with books on dance, music and clothing – perhaps reflecting Acconci’s own early evolution from poet to performance artist. Art and architecture books are also not assumed to share a common heritage and therefore assigned proximate shelf space. Instead, architecture books belong to a subset of ‘Space,’ while art books are classified as a subset of ‘Matter.’
Source: Vito Acconci’s Library
The subsolar point on a planet is where its sun is perceived to be directly overhead (in zenith); that is where the sun’s rays are hitting the planet exactly perpendicular to its surface. It can also mean the point closest to the sun on an object in space, even though the sun might not be visible.
For planets with an orientation and rotation similar to the Earth’s, the subsolar point will move westward, circling the globe once a day, approximately moving along a circle of latitude. However, it will also move north and south between the tropics over the course of a year, so it is spiraling, like a helix.
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“”La haina” means “cruel sun” in the Hawaiian language..”