Tag: artist

ENOCH Art Satellite 

Posted on by channing

On December 3, 2018, LACMA Art + Technology Lab grant recipient Tavares Strachan launched his project ENOCH into space. Created in collaboration with LACMA, Strachan’s ENOCH is centered around the development and launch of a 3U satellite that brings to light the forgotten story of Robert Henry Lawrence Jr., the first African American astronaut selected for any national space program. In this new body of work, Strachan combines hidden histories, traditions of ancient Egypt, Shinto rituals and beliefs, and the history of exploration.

Source: ENOCH | LACMA

Paul Klee: Pedagogical Sketchbook

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Klee collected his observations in his Pedagogical Sketchbook intended as the basis for the course in design theory at the famous Bauhaus art school in Germany. From the simple phenomenon of interweaving lines, his work leads to the comprehension of defined planes-of structure, dimension, equilibrium, and motion. But he employs no abstract formulas. The student remains in the familiar world-a world that acquires new significance through the straight forward approach of Klee’s simple, lucid drawings and his precise captions. Chessboard, bone, muscle, heart, a water wheel, a plant, railroad ties, a tightrope walker-these serve as examples for the forty-three design lessons.

Source:Paul Klee: Pedagogical Sketchbook (1925–) [DE, EN, GR, RU] — Monoskop Log

Those Little Fucking Photons

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Jack Whitten, Beloved Painter of Abstract Cosmologies, Dies at 78 -ARTnews

 

His “conceptual paintings” offered new possibilities for what abstraction could be.

 

“Ethereal and oftentimes mystical, Whitten’s paintings came out of inquiries into philosophical, scientific, and mathematical concepts. The chipped-paint technique in the “E Stamps” works, for example, often makes his work shine, and it sprang from reading up on the physical properties of light. “We know now that light occurs in extremely small particles,” he once told ARTnews. “That’s what allows us to see—those little fucking photons bouncing around your retina, and blam-o, I can see!””

Source: Jack Whitten, Beloved Painter of Abstract Cosmologies, Dies at 78 -ARTnews

Vito Acconci’s Library

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An interview with the late artist on the unique classification system he devised to organize his books

Vito Acconci, as one might expect, did not rely on any such traditional system for organizing his library. He instead arranged his books based on an idiosyncratic, all-encompassing classification system very much of his own devising. Acconci’s system begins with general ontological categories – such as ‘Time’, ‘Space’, ‘Matter’, ‘Body’, ‘Life,’ ‘Mind’ and ‘Signs’ (there are 12 such categories in all) – which then proceed to sub-divide into more particular divisions and sections. By giving primacy to the ontological over the bibliographic, Acconci’s system does away with many library classification conventions. For instance, fiction and poetry are not treated as related genres of writing and thus placed within range of each other. Instead, novels are placed in a subset of ‘Time’ (‘fiction is about turning pages, it’s about time,’ according to Acconci) while poetry is classified as a subset of ‘Body,’ along with books on dance, music and clothing – perhaps reflecting Acconci’s own early evolution from poet to performance artist. Art and architecture books are also not assumed to share a common heritage and therefore assigned proximate shelf space. Instead, architecture books belong to a subset of ‘Space,’ while art books are classified as a subset of ‘Matter.’

 

Source: Vito Acconci’s Library

Rothko Algorithm

Posted on by channing

“The progression of a painter’s work, as it travels in time from point to point, will be toward clarity: toward the elimination of all obstacles the painter and the idea, and between the idea and the observer.”

The recipe of a work of art – its ingredients – how to make it -the formula.

 

  1. There must be a clear preoccupation with death – intimations of mortality…Tragic art, romantic art, etc., deals with the knowledge of death.
  2. Sensuality. Our basis of being concrete about the world. it is a lustful relationship to things that exist.
  3. Tension. Either conflict or curbed desire.
  4. Irony. This is a modern ingredient – the self-effacement and examination by which a man for instant can go on to something else.
  5. Wit and play…for the human element.
  6. The ephemeral and chance…for the human element.
  7. Hope.10% to make the tragic concept more endurable. I measure these ingredients very carefully when I paint a picture. It is always the form that follows these elements and the picture results from the proportions of these elements.”

 

Mark Rothko Art Center https://www.rothkocenter.com/en/about-rothko/statement-about-art

Jonathan McCabe

Posted on by channing

“Jonathan McCabe is a generative artist living in Canberra, Australia. He is particularly interested in theories of natural pattern formation and their application to computer art and design.

His main site on the internet is Flickr where he uploads the results of his experiments in computer art.”

 

Amazing use of Turing’s reaction-diffusion equations.